Alvise Vidolin is on Facebook. Join Facebook to connect with Alvise Vidolin and others you may know. Facebook gives people the power to share and makes. ALVISE VIDOLIN. Sound director, computer musician and Live Electronics interpreter. He is responsible for the electronic production and sound direction of . Alvise Vidolin, Conservatorio “i” Padova, Musica elettronica Department, Emeritus. Studies Musica Elettronica, Electronic Music, and Sound and Music.
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dblp: Alvise Vidolin
Convolving a clarinet with a piano more. Each performance was inspired giving the player a sensorial type adjective in order to suggest various kinds of expressive intentions. He has written various scientific and popular essays. Expressive morphing for interactive performance of musical scores more.
vidllin In altre lingue Aggiungi collegamenti. Alvise Vidolin Conservatorio “C. The modular structure of the system defines an open architecture, where the rendering steps can be realized both with synthesis and post-processing techniques. Musical perspectives on composition, sonification and performace more.
Skip to main content. Voci correlate [ modifica modifica wikitesto ] Musica elettronica Informatica musicale Collegamenti esterni [ modifica modifica wikitesto ] Associazione di Informatica Musicale Italianasu aimi-musica. Log In Sign Up. User Interface and Music Performance.
The system allows to obtain different performances, by modifying the acoustic parameters of a given neutral performance. Several studies demonstrated how different expressive intentions can be conveyed by a musical performance and correctly recognized by the Digital Accessories Store Conversion Software. Sign up for our newsletter! The synthesis of some performances and the successive perceptive analysis of the same, verified the results emerging from this study.
Nevertheless, in order to adapt this instrument to the modern tunings and to avoid the aging, it needs to be modified and often For every hierarchical level, opportune curves are applied to the principal acoustic parameters. Conservatorio di Musica “Benedetto Marcello”su conseve. A professional violinist was asked to play short pieces of music in different versions expressing light, heavy, soft, hard, bright, and dark.
Help Center Find new research papers in: The first refers the musical structure of the period, its division into phrases and the continuous alternation of tension and relaxation points. Per la Biennale ha curato diversi progetti e manifestazioni, tra questi la International Computer Music Conference e la mostra Nuova Atlantide: Remember me on this computer. Modeling and control of expressiveness in music performance more. La Biennale di Veneziasu labiennale. Preservation at CSC more.
Several studies demonstrated how different expressive intentions can be conveyed by a musical performance and correctly recognized by the listeners: Nevertheless, in order to adapt this instrument to the modern tunings and to avoid the aging, it needs to be modified and often distorts its structure in an irreversible way.
Physical Model and Open Architecture. Music Performance and New Music. Scuole Civiche di Milanosu scuolecivichemilano. A professional violinist was asked to play short pieces of music in different versions expressing Co-founder of the Italian computer music association AIMIhe was president in the yearsand now is member of board of directors.
Dopo aver compiuto i suoi primi studi scientifici e musicali a Padovadiviene docente di Musica Elettronica al Conservatorio “Benedetto Marcello” di Venezia. HDtracks – High Definition Music.
Estratto da ” https: This paper apvise an analysis of how the performance of a score differs when musicians are requested to play with differing expression. Between he worked as director of vidolni musical production at the Centro Tempo Reale in Florence. In a musical performance, the player can also introduce different expressive intentions within, naturally, the limitations of the score.
Factor Analysis, MultiDimensional Scaling and Cluster Analysis applied to the subjects’ replies verified that groups of listeners with different cultural preparation, could recognize the performer’s intentions.
For comparison, a normal, standard performance was recorded.